REPOST: Keitaro Urashima – The Everynerd
February 24th, 2009Today FUNimation re-released the anime adaptation of Love Hina, the franchise that introduced me and many otaku of my generation to the wonderful world of anime and manga. To celebrate the return of this series, I’d like to repost this essay I wrote about its impact to the anime and manga industry in America, and just why I believe it was able to speak to a whole subculture of geeks around the world.
Originally posted on August 18, 2005.
If you were a manga fan over five years ago, you will recall just how different things were back then compared to now. Manga was flipped, expensive, heavily edited, and had a very limited variety of titles. But then a newcomer by the name of Tokyopop decided to make a radical change to the market. They introduced a new line of manga in which they called, “100% Authentic.” Not only were the pages un-flipped, but the size of the book was smaller, the cost was only 10 bucks a volume, and they didn’t translate any sound effects.
The new format was a hit, and created a new interest in Japanese comics. The shelf space expanded at an exponential rate. And yet, surprisingly, the series that was on the top during this revolution wasn’t from a well known anime actions show like Dragonball Z or Cowboy Bebop. Instead, it was a series about a 20-year-old boarding house manager and the 5 girls who lived with him.